Trixie Belden and The Mysterious Visitor - Campbell, Julie Review & Synopsis

 Synopsis

Trixie and Diana Lynch were friends for years before Di's family became fabulously rich. So when Di's long-lost uncle starts ruining her social life, Di turns to her old friend for help. But Trixie thinks Uncle Monty isn't just an annoying relative-she thinks he's an impostor!

Review

"Brown eyes," Trixie said suddenly.

They all stared at her in amazement.

"Well, he has got brown eyes," Trixie said defensively. "Mr. Wilson has. And Mrs. Lynch's eyes are as blue as blue delphiniums."

"So what?" Brian demanded. "You and Mart and Bobby have Moms's blue eyes, and mine are black like Dad's. Does that prove that I am an adopted child?"

"No one in his right mind would have adopted you," Trixie said with a sniff. "I wasn't trying to prove anything. I was just thinking out loud as usual." Suddenly she remembered what Regan had said: "Don't think." And what Honey had said:

"Even if Mr. Wilson isn't quite honest, I don't think we ought to talk about it in front of Di."

She opened her mouth to change the subject, but Jim was saying cheerfully, "Speaking of adopted children, I'm one and my eyes are neither black nor blue. They're green. What does that make me, Trix?"

At that moment Di and her uncle joined them at the entrance to the gallery. Mr. Wilson was dressed as a cowboy complete with chaps and toy pistols, and looked to Trixie rather like a wizened little boy. Rubbing his hands together gleefully he said, "On with your wigs and masks, podners. The other guests will be arriving soon. I've got it all arranged. No unmasking until the bell rings for chow. Soon as everyone gets here, we'll have a grand march around the ballroom, with me as judge. First prize goes to the best costume. Booby prize goes to the worst. Then we'll do some square dancing, podners, until we work up an appetite for grub. I'll do the calling. There's not much old Uncle Monty doesn't know about square dancing. Why, if I had my fiddle here, I'd play "Turkey in the Straw' as you never heard it before. If I had my accordion and mouth organ here, I'd show all of the guests what a real one-man orchestra was like. Music right out of the West!"

"I'm sure you would, Uncle Monty," Di said, forcing a smile to her taut lips. "But since almost none of the boys and girls I've invited knows how to dance, I thought we might let the orchestra leave when the caterers go. Is that all right?"

"Oh, no, no, no, NO!" her diminutive uncle cried, hopping up and down with each "No" as though he were the dwarf, Rumpelstiltskin. "If your guests can't dance there are plenty of games we can play to music. Musical chairs, London Bridge Is Falling Down, and all that sort of thing."

"But, Uncle Monty," Di cried, "we're too old for that kind of game."

"Then you're old enough to waltz and do the two-step and the polka," he said firmly. The orchestra struck up the "Blue Danube" and he bowed gallantly in front of Honey. "This little lady can waltz, I'll betcha. May I have this dance, miss?"

Trixie held her breath. Now was the time for Honey to be her most tactful self! And Honey was. She dropped a curtsy and said sweetly: "I'd rather not, Mr. Wilson, but I do think your idea of keeping the orchestra on is just great. With you as master of ceremonies, we could have a real quiz show. The orchestra can play a few bars of a song, and the one who names the song first gets a prize." She laid a slim hand on the decorated cuff of his sleeve. "Why don't you and I go into Mr. Lynch's study and make a list of the songs we think the orchestra ought to play for that contest?"

He followed her out of the gallery and into the room across the hall as meekly as a lamb. Trixie let out her breath in a long sigh. "That's the answer, of course," she said. "From now on we've all got to take turns keeping Uncle Monty from being an emcee."

The boys nodded solemnly, and Di said gratefully, "Oh, will you? I can't help because I'm the hostess." The front door bell rang then and she hurried off, completely forgetting to don her false face and wig in her eagerness to greet the guests before her uncle did.

Without saying a word, the Beldens and Jim took their wigs and masks from the pockets of their jackets and put them on. They all looked very funny, but nobody laughed. For a moment Trixie felt dizzy. In their shapeless jackets, black curly wigs, and realistic, rubber devil's faces, it was impossible to tell the boys apart. Mart wasn't, of course, quite as tall as Brian and Jim, but somehow they all seemed now to be exactly the same height. They stood there, as motionless as the luminescent ghosts, witches, skeletons, and dragons on the black draperies. It was hard to breathe behind the close-fitting mask, and for the first time in her life Trixie felt weak and wobbly-kneed, as though she might faint at any moment.

The folding doors at this end of the gallery had been pushed back as far as they would go. Trixie grabbed one of the brass handles to steady herself, and something big and black and horrible with skinny, wiggly legs sprang at her. It dropped on her outstretched hand, then slithered to the floor at her feet.

The Mysterious Visitor

The family of Trixie's old friend Diana Lynch has suddenly become wealthy, but Di's having trouble adjusting. When a long-lost uncle shows up, Trixie is convinced Di's annoying relative is an impostor.

The family of Trixie's old friend Diana Lynch has suddenly become wealthy, but Di's having trouble adjusting."

Girls' Series Fiction and American Popular Culture

This collection explores the influence of girls’ series books on popular American culture and girls’ everyday experiences. It explores the cultural work that the series genre performs, contemplating the books’ messages about subjects including race, gender, and education, and examines girl fiction within a variety of disciplinary contexts.

Kenny, Marshland Mystery , 113. 47. Campbell , Mansion, 1948; Julie Campbell , [ Trixie Belden #3] The Red Trailer Mystery (Racine, WI: Golden Press, 1950, reprint 1977); Julie Campbell , [ Trixie Belden #4] The Mysterious Visitor (Racine, ..."

The Publishers Weekly

Enduring THE RECENT SUCCESSES of Grant : Memoirs and Selected Letters and Americans in Paris : A Literary Anthology are ex- amples of the way the Library of America is " expanding what the notion of great American literature is , " said ..."

The Secret of the Mansion

Trixie’s summer is going to be sooo boring with her two older brothers away at camp. But then a millionaire’s daughter moves into the next-door mansion, an old miser hides a fortune in his decrepit house, and a runaway kid starts hiding out in Sleepyside!

 Julie Campbell . Julie Campbell's Beloved Girl Detectivels Back! Trixie Belden #3 Don't Miss These eGatehouse - - - . Trixie Belden Favorites o Coming Soon! o Trixie £ Belden. he Mysterious Visitor // | § ! 7|\\\\ Ø | & Ó |."

Handbook of Research on Children's and Young Adult Literature

This landmark volume is the first to bring together leading scholarship on children’s and young adult literature from three intersecting disciplines: Education, English, and Library and Information Science. Distinguished by its multidisciplinary approach, it describes and analyzes the different aspects of literary reading, texts, and contexts to illuminate how the book is transformed within and across different academic figurations of reading and interpreting children’s literature. Part one considers perspectives on readers and reading literature in home, school, library, and community settings. Part two introduces analytic frames for studying young adult novels, picturebooks, indigenous literature, graphic novels, and other genres. Chapters include commentary on literary experiences and creative production from renowned authors and illustrators. Part three focuses on the social contexts of literary study, with chapters on censorship, awards, marketing, and literary museums. The singular contribution of this Handbook is to lay the groundwork for colleagues across disciplines to redraw the map of their separately figured worlds, thus to enlarge the scope of scholarship and dialogue as well as push ahead into uncharted territory.

importance and focuses on its ridiculousness (and, very likely, its unreality— characters don't always stay dead). ... but even when we have the makings of irony (Leslie's story in Katherine Paterson's [1977] Bridge to Terabithia ) or ..."

Girls Series Books

... Triplets Take Over The Triplets Try Television TRIXIE BELDEN ( Tatham ) , Julie Campbell and Kenny , Kathryn 1950 ... Trixie Belden and the Gatehouse Mystery ( Campbell ) Trixie Belden and the Mysterious Visitor ( Campbell ) Trixie ..."

The Marshland Mystery

The weather is finally warming up in Sleepyside and Trixie has plans for her and her best friend Honey. They’re going to lonely Martin’s Marsh to collect herbs and flowers for botany class. But Honey’s family has a visitor, a child who wants to tag along on Trixie’s and Honey’s expeditions. How can Trixie explore the mysterious burned-out house by the marsh and look for Captain Kidd’s hidden pirate treasure with a kid along?

The weather is finally warming up in Sleepyside and Trixie has plans for her and her best friend Honey."

The Mystery at Maypenny's

Kathryn Kenny, Julie Campbell . Your TRIXIE BELDEN Library 1 The Secret of the Mansion 2 The Red Trailer Mystery 3 The Gatehouse Mystery 4 The Mysterious Visitor 5 The Mystery Off Glen Road 6 Mystery in Arizona 7 The Mysterious Code 8 ..."

The Horn Book Guide to Children's and Young Adult Books

CHD Pfeffer , Wendy The Shortest Day : Celebrating the Winter Solstice 40 pp . Dutton ISBN 0-525-46968-0 16.99 ( 5 ) K - 3 Illustrated by Jesse Reisch . This collection of solstice facts and feelings consists of a mood poem about the ..."

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How to Love a Black Woman . 176p . ... No Mentor but Myself " Jack London on Writing & Writers . 2nd ed . 224p . ... Desert Queen : The Extraordinary Life of Gertrude Bell : Adventurer , Adviser to Kings , Ally of Lawrence of Arabia ."

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